RoseBerry Media Unveils 150-Title Vertical TV Slate With Fremantle, Banijay and All3Media

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RoseBerry Media is expanding its premium vertical television offering with a slate of more than 150 titles, bringing original productions and established television properties to mobile-first audiences. Announced at MIPCOM 2026, the line-up combines new scripted and unscripted projects with vertical adaptations of existing programmes from partners including Fremantle, Banijay Rights, All3Media International, Cineflix Rights and A+E Global Media.

The company plans to offer more than 150 titles by the end of 2026, with access to a library spanning thousands of hours by the end of 2027. Its strategy combines original production with the repurposing of established television IP for vertical viewing, extending the reach of existing titles while developing projects specifically for mobile audiences.

The announcement follows RoseBerry’s partnership with Fremantle to reimagine storylines from Neighbours as standalone vertical titles. The first series is scheduled to launch on RoseBerry’s epis streaming service this autumn, with additional distribution platforms to follow.

RoseBerry’s Original Productions Span Drama, Reality and True Crime

RoseBerry’s original slate includes projects from Silvio Productions, Lime Pictures, Baron Productions and creator-showrunner Zipi Rozenblum.

Fremantle-backed Silvio Productions brings two true crime titles, Two Marys and The Swindler and the Billionaire Murder. The former revisits the murders of two women with the same name in the same city, with their daughters investigating the cases 25 years later. The latter examines the death of billionaire banker Edmond Safra in a Monaco fire and the decades-long search for answers involving his nurse, Ted Maher.

Lime Pictures, known for producing Hollyoaks, contributes two dramas. Revenge Is a Dish follows Paige as she infiltrates a restaurant dynasty to avenge her family, only to develop feelings for its heir. In Make Me a Match, a matchmaker attempts to find a partner for her late best friend’s widower while confronting her own growing feelings.

Baron Productions’ Sinful Hearts follows a photographer drawn into a criminal world after a wounded cartel driver arrives at her studio with stolen diamonds. Hey Princess centres on a woman seeking refuge with an ex-soldier after her stalker is released from prison.

Rozenblum’s dating reality formats include Don’t Fall for Beautiful Liars, in which a woman must distinguish genuine romantic interest from deception, and Would You Date a Pornstar?, which follows a woman seeking love with four men who initially do not know her profession.

Other original titles include Hunting Holmes, about Dr John Watson’s search for the missing Sherlock Holmes; My Mother the Murderer, which follows a filmmaker investigating her mother’s past; and You Don’t Know Paul, in which a brutal attack leads to questions about a man’s hidden identity.

Guy Hameiri, RoseBerry Media’s Co-Founder and CEO, said: “Our mission is to bring the full breadth of television genres into the vertical world, combining original productions with established television IP to create a complete entertainment experience for mobile audiences.”

He added: “We’re also proud of the depth and range of IP available to us through our partners, including Fremantle, A+E, Cineflix, Banijay and All3Media. Across drama, true crime, reality and beyond, these partnerships give us a rich mix of stories and characters to bring to audiences in a new way.”

Established Television Brands Enter the Vertical Space

The partner catalogue spans scripted entertainment, factual programming, crime and reality formats. Fremantle’s titles include Neighbours, Dead Serious, adapted from Paul Abbott’s RTS-winning series No Offence, and House in Flames, based on the Danny Dyer thriller Heat. Its slate also features You Can’t Kill Me, adapted from The Fall: Skydive Murder Plot, alongside The Missing Millionairess and Missing Persons Investigation.

Banijay Rights contributes factual and crime titles such as Deadly Women, Handsome Devils, My Dirty Little Secret and Murder, Lies and Alibi, as well as dating formats Date My Mate, Love Squad and The Singles’ Table.

All3Media International’s offering includes Serial Killer Wives, My Boyfriend Made Me Do It, Forensics and Detectives: My Killer Case. The titles join Sexy Beasts, the BBC Three dating format created and produced by Lion Television that was subsequently adapted for Netflix.

Cineflix Rights adds Homicide: Hours to Kill, which reconstructs victims’ final hours to show how investigators solve murders. Other titles include Muse Entertainment’s The Playmaker, adapted from Played; This Is Wonderland; and I Marry Me, adapted from I Me Wed.

OUTtv contributes Call Me Mother, Drag House Rules and Iconic Justice, while Farpoint Films brings Cruise Ship Killers and Heartland Homicide. Woodcut Media’s titles include Surviving a Serial Killer and The Killer Within.

Launched in May 2026, RoseBerry Media operates as a vertically integrated studio and technology-enabled entertainment company, covering development, production, library adaptation, distribution and monetisation. Its epis streaming service provides a destination for premium vertical programming, alongside audience insights intended to help the company and its partners assess engagement, genre demand and commercial potential.

RoseBerry Media Unveils 150-Title Vertical TV Slate With Fremantle, Banijay and All3Media
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