We’re at NEM Dubrovnik & NATPE Budapest 2025!
As borders in television are becoming increasingly blurred, the first half of 2025 has shown that the movement of content extends beyond screens and cultures.
Turkish distributors are not only forging new partnerships but also creating content that resonates across geographies. A Turkish series airing in Japan, a Canadian show adapted in Romania, or a French novel becoming a Latin American drama is no longer surprising, it’s the new normal. And EPISODE is excited to be part of this global shift. We’ve caught up with key players ahead of this summer’s major industry events to learn what’s next.
OGM UNIVERSE’s Global Distribution & Partnership Director, Ekin Koyuncu, told us about the continued success of 6 of Us and their bold new title The Fall of the King. With a growing team and stronger visibility in the CEE region, OGM is committed to scaling up its global footprint.
Kanal D International’s Sangerim Zhakhina reflected on a strong 2025 for hits like Secret of Pearls and The Family Burden, also explaining why classics like Fatmagül and Kuzey Güney continue to resonate. Format sales, she notes, are also on the rise.
Inter Medya’s leadership trio, Can Okan, Hasret Özcan, and Sinem Alışkan, shared updates on their partnerships with Exxen and iZen’s Zebra Producciones, and talked about upcoming deals for Eshref Ruya, their latest collaboration with TIMS&B. They’re heading to both NEM and NATPE, ready to showcase a deep and diverse catalog.
Calinos Entertainment’s Aslı Serim highlighted the company’s latest milestones, including Woman and Forbidden Fruit landing in Italy, and a breakthrough deal with Japan for Canadian series Alert Squad, their first ever in that territory.
From MISTCO, Ayşegül Tüzün Yıldırım introduced their first co-production Bahar, a powerful female-led drama already attracting global attention. With its rich kids’ catalog, international hits like Resurrection: Ertugrul, and a focus on the CEE region, MISTCO remains one of Türkiye’s most versatile players.
And finally, Deniz Şaşmaz Oflaz, WBD Türkiye’s VP of Local Original Productions, tells us that local stories on Max are now being developed with global resonance in mind: “A regional Max Original today is not just a local hit, it’s a story that travels.”
Scenic Rights’ CEO Sydney Borjas speaks of a new creative era where books become compelling screen stories. From French and Spanish novels adapted in Mexico or the U.S., the key lies in rich characters and layered narratives.
Columnist Oya Doğan says “justice” is the main theme of 2025, with national broadcasters turning to stories about inequality, economic struggles, and family ties to hold audiences. Meanwhile, Orçun Onat Demiröz highlights the golden era of video game adaptations. We also dive into game adaptations, box office & new Turkish series.
This issue captures not only the pulse of the industry but also offers creative clues for its future. Around these European tables, the future of global storytelling is being written.
Happy reading!
